“You like it darker? Fine, so do I.”
–Stephen King
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Stephen King is a polarizing writer. Although he’s sold millions, maybe billions of books, his haters are almost as vocal as his fans. Personally, while I don’t think he hits it out of the park every time–probably impossible when he produces such a large volume of work so consistently–his fiction always keeps me entertained. You Like It Darker, his latest collection of short stories, was no exception. King’s writing continues to evolve, and this latest book is not just darker, but deeper.
These are not straightforward horror stories.They focus on life and death, fate, morality, and the chinks in time and space where anything can–and does–happen. Even the shortest pieces(“The Fifth Step” and “Red Screen”) rival his novels for depth and engagement, delivering on his oft-stated commitment to help the reader leave ordinary life behind. His characters, who range from grumpy old men to beleaguered Covid-era writers and overworked police detectives, are both vividly specific yet somehow universal. “Why me?” is one of the recurring questions in the book, and who can’t relate to that?
Like many people in their seventies and beyond, King seems to be growing more and more preoccupied with mortality and aging. Many of his characters in You Like It Darker, including the no-nonsense grandpa in “On Slide Inn Road,” are strikingly decrepit. The narrator of “Two Talented Bastids” is an aging author whose father, and the father’s best friend, found unusual success through their art. (I won’t spoil the explanation behind that success, but after reading it I had to wonder if it was King’s way of poking at his own critics.)
The question of why people have the luck they do is one of King’s key themes. Another is the deep sadness of an America stricken by Covid and its aftermath, addiction, and predatory corporations. But at the end of the day, there’s always the feeling that life could be even darker, and the knowledge that some of us might just like it that way.
